Research

Articles and conference papers

‘The Reproduction of Maps in Print’

for the Chicago History of the Map, forthcoming

‘Produktion und Vertrieb von Karikaturen in London um 1800’

in Als die Royals aus Hannover kamen: K:onigliches Theater! Britische Karikaturen aus der Zeit der Personalunion und der Gegenwart, Hannover: Wilhelm Busch Museum, 2014

‘The London Printsellers and the Export of English Graphic Prints’

in Anorthe Kremers and Elizabeth Reich eds, Loyal Subversion: Caricatures from the Personal Union between England and Hanover (1714-1837), Göttingen: Vandenhoeck & Ruprecht, 2014

‘Printed Portraits of Kitty Fisher and other Ladies of Pleasure in mid-Eighteenth-century London’

in Alberto Milano ed, Generali e Mendicanti, Attori e Soverani: Ritratti nelle stampe a larga diffusione dal XVII al XX secolo, Bassano del Grappa: Tassoti, 2013

‘Rudolph Ackermann und seine verlegerische Zusammenarbeit mit Johann Isaak von Gerning in England’

in Rheinromantik, exh cat, Wiesbaden 2013

‘Stubbs and the Print’

in George Stubbs 1734-1806: Science into Art, Neue Pinakothek Munich and Prestel Verlag, 2012

‘From Fireworks to Old Masters: Colnaghi and Printselling c.1760-c.1880’

in Jeremy Howard ed, Colnaghi: The History, London: Colnaghi, 2010

‘Heads on Paper’

in Michael Snodin ed, Horace Walpole’s Strawberry Hill, Yale University Press 2009

‘Book illustration and the world of prints’

in M. Suarez and M. L. Turner eds., The Cambridge History of the Book in Britain: Volume V 1695-1830, Cambridge University Press, 2009

‘A Spurious Charlotte Exposed’

Print Quarterly, XXV (September 2008), pp. 254-66

‘The export of English prints to Germany 1760-1802’

in Alberto Milano ed., Commercio delle stampe e diffusione delle immagini nel secoli XVIII e XIX, Rovereto: ViaDellaTerra, 2008

‘Clarke: Father and Son’

in S.J.D. Green and Peregrine Horden eds, All Souls under the Ancien Régime: Politics, Learning and the Arts c.1600-1850, Oxford University Press, 2007

‘The Triumph of Alexander: French prints and polite culture in England’

in Philippe Kaenel and Rolf Reichardt eds., The European print and cultural transfer in the 18th and 19th centuries, Hildesheim, Zurich and New York: Georg Olms Verlag, 2007

‘Commerz und Propaganda: Der Markt für englische Karikaturen auf dem Kontinent‘

in Napoleons neue Kleider. Pariser und Londoner Karikaturen im klassischen Weimar, Berlin, G&H Verlag, 2006

‘The Difficulty of Reconstructing the Battle of Trafalgar’

Trafalgar Chronicle, 15 (2005), pp. 14-25

‘Figures of Fame: Reynolds and the Printed Image’

in Joshua Reynolds: The Creation of Celebrity, exhibition catalogue, Tate Gallery, 2005

‘Stubbs and Prints’

introduction to the catalogue of the British Sporting Art Trust’s exhibition at Bonhams 2005

‘The Reviews of English Art in the Neue Bibliothek’

in Anneliese Klingenberg, Katharina Middell, Matthias Middell and Ludwig Stockinger eds., Sächsische Aufklärung, Leipziger Universitatsverlag, 2001

‘Publishing Houses: Prints of Country Seats’

in Dana Arnold ed., The Georgian Country House: Architecture, Landscape and Society, Stroud, Sutton Publishing, 1998

‘The Print and the Spread of the Picturesque Ideal’

in The Picturesque in Late Georgian England, ed. Dana Arnold, London, The Georgian Group, 1994

‘Reviews of English Prints in German Journals 1750-1800’

Print Quarterly, X (1993), pp. 123-37

‘The Print Collection of George Clarke at Worcester College, Oxford’

Print Quarterly, IX (1992), pp.123-41

‘Gainsborough and his Engravers’

Gainsborough’s House Society Annual Report, 1990-91, pp. 38-48

‘The Engraving and Publication of Prints of Joseph Wright’s Paintings’ and ‘A Catalogue of the Engraved Works of Joseph Wright of Derby’

in Judy Egerton, Wright of Derby, exh. cat. Tate Gallery, 1990

‘Mr Warde’s Arabian: A New Print by George Stubbs?’

Print Quarterly, III (1986), pp. 128-36